Research statement

This section aims to present the starting points of a research project entitled „Aesthetics of Artificial Intelligence Art „, which explores the relationship between artificial intelligence art and computational neuroaesthetics. The research subject and approaches to it will be approached from three positions. The theoretical position is placed in the discourse of art and aesthetics of artificial intelligence. The analytical position relies on the study of contemporary artistic practice and will identify artistic strategies in the subject area. The experimental position represents a practical-speculative approach to the realization of one’s research into the possibilities of art and aesthetics, which can also be understood as artistic research. The goal of the research is to offer an answer to the question of whether it will be possible to create non-human artificial intelligence art and under what conditions. To achieve the research goals, I also see the acceleration of the application possibilities of using computational neuroaesthetics as a significant contribution, the benefits of which, even outside the scope of this research project, have the potential to influence related methodological approaches.

ARTISTIC RESEARCH AND RECONSTRUCTIONS OF INNER SPEECH BETWEEN THE BRAIN AND THE COMPUTER Subtitle: Possibilities of Semantic Language Reconstruction and
This scientific article proposes methodological approaches for predicting the development of non-human artificial intelligence art and its conditions, presenting a
The study "Aesthetics of Artificial Intelligence Art" explores the connection between AI art and computational neuroaesthetics. It adopts three positions:
The outputs of the mentioned projects were implemented using the software Open Face, Affectiva (AFFDEX algorithm). Within collaboration with Cultcode
Tomas Marusiak AKA marussiac used in your art completely new technology of digital recognition of emotions of a human face.