Tomáš MarušiakFaculty of Arts, Masaryk University, Brno, Czech RepublicVisiting Researcher, Department of Digital Humanities, King's College London, United Kingdom (Summer

This study examines whether current developments in artificial intelligence are already establishing the functional, technological, and institutional conditions necessary for

Speaking AIArt 2025: Education is an international conference chaired and co-organised by visual artist and AI Art researcher Tomáš Marušiak

The course Strategies of AI Art was created for students of the Hungarian University of Fine Arts. Its theoretical, research,

Beyond the Screen: Digital Image as Cultural Montage and Epistemic Interface The fundamental starting point of my artistic practice is

AI Art Strategies 2026 Tomáš MarušiakFaculty of Arts, Masaryk University, Brno The course AI Art Strategies offers a theoretical, critical

The paper outlines a theoretical framework for understanding AI Art as a specific laboratory for future aesthetic processes in the

In this piece, Marussiac considers the question of contemporary culture and relationships between big world heroes. The installation, HULK TRAIN

TMarussiac and the Technology That Reads Faces: When Art Investigates Extremism Tomáš Marušiak, known under the artistic name Marussiac, is

Marussiac continues its recent series of 'Spider-Man Baptism.' Spider-Man is a hero who hides his identity to the world, therefore,

Slovakia has a very strong Christian tradition, which affects the society and culture, and the Marussiac 'Virgin Mary of Slovakia

Skingoo' is a series by Tomas Marussiac, who began working with digital art in 2001. His first comprehensive series of

Clear clumsy culture is a short interactive video by Thomas Marussiac. The video is created as a visitor’s view of